翻訳と辞書
Words near each other
・ Mario Trebbi
・ Mario Trejo
・ Mario Trejo (footballer)
・ Mario Tremblay
・ Mario Trevi
・ Mario Tricoci
・ Mario Tronti
・ Mario Trujillo García
・ Mario Tullio Montano
・ Mario Turco
・ Mario Turdó
・ Mario Uribe Escobar
・ Mario Uriburu
・ Mario Urrutia
・ Mario Urrutia Carrasco
Mario Urteaga Alvarado
・ Mario Valdez
・ Mario Valenzuela
・ Mario Valery-Trabucco
・ Mario Vallejo Estévez
・ Mario Valles
・ Mario Vallotto
・ Mario Valota
・ Mario van Baarle
・ Mario van der Ende
・ Mario Van Peebles
・ Mario Vanarelli
・ Mario Vanegas
・ Mario Vanemerak
・ Mario Vaquerizo


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Mario Urteaga Alvarado : ウィキペディア英語版
Mario Urteaga Alvarado

Urteaga Alvarado, Mario (April 1, 1875 in Cajamarca – June 12, 1957 in Cajamarca) was a Peruvian painter. He originally worked as a painter, photographer and upon his return to Cajamarca from Lima he works as a school teacher, farming and journalist.〔("Chasqui - Peruvian mail" ) ''The Indigenist horizon of Mario Urteaga'', Retrieved on 2014-01-10〕
Unlike their Indigenism colleagues, trained in the Escuela Nacional de Bellas Artes in Lima and assets, Urteaga was a self-taught artist and had developed the central work of his paintings in Cajamarca. This circumstance contributed to shaping the image of the artist as topical spontaneous product of his environment and to project an ambivalent perception of his work, sometimes classified as non-academic and as a manifestation of the independent indigenousness. With a mix of classicism and naturally it was fascinating to the viewer of his time, peasant scenes carefully composed by the artist seemed to embody the peripheral end of the nationalist aspirations of an entire generation would have achieved Urteaga display "Indians more Indians have been painted", according to the concluding sentence of Teodoro Núñez Ureta. The reality of his work and his life, however, is offers much more contradictory and complex.
His spontaneity and topicality are reminiscent of the caricatures of Pancho Fierro, yet his representation of the indigenous peoples of Peru and their daily life is serious. He is considered to be the first painter to portray Indian people without patronizing them, as can be seen in the Adobe Makers (1937, priv. col.) and Return of the Peasants (Lima, Mus. A.). An exhibition of his work was held at the Banco de la Nación, Lima, in 1989.
He was the first Peruvian painter with a work in the "MOMA" of New York.
==Footnotes==




抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Mario Urteaga Alvarado」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.